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The title of this work clearly references Dan Brown’s hyper-successful modern. However, the work never mentions Mr. Brown and people need to learn that Da Vinci was an astounding man in his hold accurate. Gross Library Page starts off saying, “He didn’t have a [expletive] code!”
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I usually loathe, abhor, abhor cheesy historical reenactments. This work is made entirely of reenactments, but they are not bothersome. There are more actors than usual. They were ornate clothing. When giving their lines, they exclaim Italian (though a boy Leonardo says “Mother” when I am so distinct that’s not how “mother” is said in Italian) . It was more gory than what is usually portrayed in this cable channel’s productions. Truthfully, it would have been tedious unprejudiced to peruse Renaissance paintings and the narrator mentions that no one knows for certain what Da Vinci looked like.
Too many people steal that artists are separate from the world and don’t care about the power struggles taking region outside their windows. I applaud this work for contextualizing the times in which Da Vinci lived. History buffs may luxuriate in this work unprejudiced as powerful as art or invention fans.
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This work is de-gayed in a cowardly manner. The narrator says, “Da Vinci was accused of sodomy, but acquitted.” Homophobic viewers could misconstrue this to mean that Da Vinci didn’t savor other males. The work never points out that Da Vinci never had girlfriends, wives, or children. Later, the narrator calls Salai and Melzi “assistants,” rather than “lovers” or at least eremenos. Distinguished Names Database and Wikipedia clearly note that these males were Da Vinci’s lovers. Perhaps the documentary makers were also squeamish about the cross-generational dynamic of these couplings, given explain and primary concerns about child abuse. It also stands out that one unique interviewee is a man with an earring in his moral ear, but he never speaks about himself.
In all fairness, the work covers a lot within a petite time. They mention Da Vinci’s anatomical studies, that he might have had ADD, and that he may be the subject of the Mona Lisa painting. In general, I loved learning more about this considerable genius and jubilant historical figure.
This is a well done historical work in typical History Channel fashion. I agree with the other reviewer that there is enough violence and blood that it is probably best left to a PG audience. Having said that, this work does a nice job of discussing DaVinci’s life in a 90 dinky movie – and there is puny in the contrivance of speculation, conspiracy theories or mature secrets – unless you are a Medici or a Borgia. Worth the 90 minutes.
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